[90] On the year-end ARIA charts, the song ranked at number 56. [78] "Don't Cry for Me Argentina" reached number 1 on the European Hot 100 Singles, the week of 8 February 1997. [59] George Hatza from The Reading Eagle, said that "[Madonna] sings 'Don't Cry For Me Argentina' in a beautiful, soaring, goosebump-inducing contralto". According to Flores, the singer wanted something that "would be dance but faithful to the movie and to Argentina with a latin feel". "Don't Cry for Me Argentina" was critically appreciated, with Rice and Lloyd Webber winning the 1977 Ivor Novello award in the category of Best Song Musically and Lyrically. Iscriviti a. In Accordi, Tab e Testi [1] Evita was initially produced as an album, before being adapted for the stage, following a formula that Lloyd Webber and Rice had employed during the production of Jesus Christ Superstar, their previous musical. "[48][49] From the moment she was signed in the film, Madonna had expressed interest in recording a dance version of "Don't Cry for Me Argentina". [95] In 1993, two years before being cast in Evita, Madonna performed an impromptu version of the song during her first visit to Argentina with The Girlie Show World Tour. As soon as Covington recorded with the new name, the song fit "perfectly" in the mood of the sequence and was included in the album. [169], "No llores por mí Argentina" redirects here. [50] Named the "Miami Mix", it was sent to radio stations and DJs on late December 1996 and was officially released as the soundtrack's second single on 4 February 1997. For the performance, she had the word "Eva" painted across her back. I never left you. [57] Sal Cinquemani from Slant Magazine commented: "Easily one of Madonna's greatest vocal performances to date, the singer's dramatic interpretation of Evita's unofficial theme song was both loyal and bizarrely autobiographical". 4,5 su 5 stelle 29 voti. Spartiti Don't Cry For Me Argentina. Attualmente non disponibile. Visualizza riconoscimenti, recensioni, tracks e compra questa la CDpubblicazione di Don't Cry For Me Argentina su Discogs. They were all I desire. [2], Rice and Webber's research showed that Eva had not in reality delivered any major oration on the day of her husband Juan Perón's inauguration ceremony, but not long after becoming Argentina's new First Lady she started making highly emotional speeches, the intensity of which they wanted to capture with "Don't Cry for Me Argentina". La verità è che. It also reached the top of the charts in Australia, Belgium, Ireland, New Zealand and the Netherlands. [55] The song follows a basic sequence of C–F♭–C when Madonna sings "It won't be easy, you'll think it strange", and changes to G7–C on the second verse. [3], The title of the song comes from an epitaph on a plaque at Eva Perón's grave in the La Recoleta Cemetery in Buenos Aires. Don't cry for me Argentina The truth is I never left you All through my wild days My mad existence I kept my promise Don't keep your distance And as for fortune, and as for fame I never invited them in Though it seemed to the world they were all I desired They are illusions [92] In Ireland, the song peaked at number 8, the week of 19 December 1996. Visualizza riconoscimenti, recensioni, tracks e compra questa la 1997 CDpubblicazione di Don't Cry For Me Argentina su Discogs. [85] In the United Kingdom, the song reached number 3 on the week of 28 December 1996, and was present on the top 100 for a total of 13 weeks. MCA marketing manager Stuart Watson explained to Billboard that their chief goal was to "get an explanation of the story of Eva Perón over to the public". Don’t cry for me Argentina . Nevertheless, she thought that the songs were great compositions and signed on for recording them. [14], "Don't Cry for Me Argentina" debuted at number 37 on the UK Singles Chart on the week ending 25 December 1976. I think on her mind, the best way to do it was go in the studio and work up a remix". [67] Similarly, Spin's Annie Zaleski wrote that the "nuanced but proud" rendition of the song "marked the start of Madonna’s Serious Phase, one where she balanced youthful coquettishness with a more mature, introspective outlook". The song was composed to appear at the opening and near the end of the show, initially as the spirit of the dead Eva exhorting the people of Argentina not to mourn her, and finally during Eva's speech from the balcony of Casa Rosada. Ciao, Accedi. [77] The single ultimately peaked at number 8 the week of 1 March 1997. "[3] Covington had already recorded the phrase "Don't Cry for Me Argentina" for using it in the beginning of the show. I kept my promise. Don't cry for me Argentina The truth is I never left you All through my wild days My mad existence I kept my promise Don't keep your distance And as for fortune, and as for fame I never invited them in Though it seemed to the world they were all I desired They are illusions [70] In 2018, the same magazine called the remix "a weirdly enjoyable menage à trois between Broadway, Latin and club music, with a pounding beat and lively tango that flourishes with Madonna’s earnest delivery". Don't cry for me, Argentina Don't cry for me, Argentina The truth is I never left you All through my wild days My mad existence I kept my promise Don't keep your distance Have I said too much There is nothing more I could think of to say to you But all you have to do Is look at me to know However, during the week it was number one, she appeared in the audience. The solutions they promise to be. Don't Cry for Me, Argentina è un brano di Madonna del 1997, per l'uscita della versione cinematografica del musical. Anche la cantante Madonna interpretò questo brano per la versione cinematografica del musical, nel 1996. The Evita album had taken 3–4 months to record, since Rice was not satisfied with the intensity of the initial recordings. [61] In her review of Evita, Janet Maslin from The New York Times commented that the track was "tinglingly sung". They changed the lyrics, singing it as "You don't frighten me Argentina / The truth is we will defeat you / We'll sink your carrier, with our Sea Harrier / And with our Sea Kings subs'll be sinking". Versione italiana di “Don’t cry for me Argentina”, celeberrima canzone tratta dal musical di Tim Rice e Andrew Lloyd Webber “Evita” (basato sulla vita di Evita Peron). Don't cry for me, Argentina. [152], The Carpenters recorded the song for their 1977 album, Passage, coupled with "On the Balcony of the Casa Rosada" which precedes it in the musical's score. Sarah Brightman l'ha eseguito frequentemente in concerto e inciso su disco (in inglese e in spagnolo). The song jumps from being light to heavy and extravagant, with one section of it being hummed by choral voices. [66], The Huffington Post's Matthew Jacobs considered it as one of Madonna's most important songs, a "stand-in for the transition from Sexy Madonna to Adult Madonna". Even poor Juan Peron [sic] should shed a tear or two; he is relegated...to the status of a 'walker,' a presentable man who adorns the arm of a rich and powerful woman as a human fashion accessory. [98] On the Buenos Aires stop of her Sticky & Sweet Tour in December 2008, after performing "You Must Love Me", Madonna also performed "Don't Cry for Me Argentina" as scenes from Evita played on the backdrop screens. The group's voice was considered suitable for musical numbers like "Don't Cry for Me Argentina", by Ben Walsh from The Independent. The song was written and composed by Andrew Lloyd Webber and Tim Rice while they were researching the life of Argentine leader Eva Perón. Don't Cry for Me, Argentina è un brano musicale composto nel 1975 da Andrew Lloyd Webber su testi di Tim Rice per il musical Evita. Madonna's vocals on the song span from G3 to C5. [15] Rice and Lloyd Webber then targeted BBC Radio 1, which was in its infancy, but still popular among the general crowd. [156] She recorded it again in 1993 for her album Sings the Songs of Andrew Lloyd Webber. To the world. C F C Don`t cry for me, Argentina, the truth is, I never left you, G Am all through my wild days, my mad existence, G F I kept my promise, don`t keep your distance. Inoltre, in un diverso arrangiamento, costituisce la prima parte del brano Oh What a Circus, cantato da Che all'inizio dello spettacolo. "Don't Cry for Me Argentina" was written by Andrew Lloyd Webber and Tim Rice while they were developing Evita for Broadway in 1976. Pubblicato 10.1.2020, 23:59 «Il debito sociale è il grande debito degli argentini, non è solo un problema economico o statistico. [63] Peter Keough, from the Boston Phoenix, praised Madonna's "stunning delivery" of the track. Don't cry for me, Argentina The truth is I never left you All through my wild days My mad existence I kept my promise Don't keep your distance And as for fortune And as for fame I never invited them in Though it seemed To the world They were all I desire They are illusions They're not The solutions they promise to be The answer [4], Covington was extremely intrigued by their proposal, considering Eva Perón to be a non-commercial idea for a musical. "Don't Cry for Me Argentina" was written by Andrew Lloyd Webber and Tim Rice while they were developing Evita for Broadway in 1976. He wrote: "[Madonna] sings a softly lush soprano that captures Evita's quiet vulnerability. For a long time, Madonna had desired to play Eva and even wrote a letter to director Alan Parker, explaining how she would be perfect for the part. It features the lyrics "And as for fortune, and as for fame / I never invited them in / Though it seemed to the world they were all I desired / They are illusions". And as for fame. Though it seemed. One day they were watching the British musical television show, Rock Follies, where they noticed actress and singer Julie Covington, who played an aspiring rock musician. [73] Writing for Entertainment Weekly, Chuck Arnold opined that "while credible, [Madonna's rendition] was not going to make anybody forget Patti Lupone". Tra le versioni in lingua straniera, particolarmente apprezzata è stata quella spagnola di Paloma San Basilio (No llores por mí, Argentina) che, oltre ad aver interpretato il personaggio a teatro e su disco, ha frequentemente eseguito il brano in concerto. Brano musicale composto nel 1975 da Andrew Lloyd Webber su testi di Tim Rice per il musical Evita. * Sales figures based on certification alone.^ Shipments figures based on certification alone. David Snell played the harp while Anthony Bowles conducted the London Philharmonic Orchestra, while another choir called the London Boy Singles was directed by Alan Doggett. Marti Webb, who succeeded Elaine Paige in the original London production of Evita, covered the song on her album Won't Change Places, produced by Andrew Lloyd Webber in 1981, and also included it in 1995 on the album, Music and Songs from Evita. "Don't Cry for Me Argentina" is a song recorded by Julie Covington for the 1976 concept album Evita, later included in the 1978 musical of the same name. AllMusic's Joe Francis complimented the recording. All through my wild days. Madonna makes this song her own; she was born to play the chignon-coiffed, diamond-studded Santa Evita". [84] It ultimately reached a peak of number 11, the week of 7 April 1997. NON PIANGERE PER ME ARGENTINA. There were also talks of releasing an Evita EP, containing remixes of "Buenos Aires", "Don't Cry for Me Argentina" and "Another Suitcase in Another Hall", but it never materialized. [9], —Rice talking about the song's success to the Official Charts Company, Following the completion of the recording of the album, the Evita team switched on to full promotion of the release, with photographer Tony Snowdon shooting the promotional pictures. Visualizza tutti i 7 formati e le edizioni Nascondi altri formati ed edizioni. [13] The song received critical appreciation, with The Sunday Times calling it a "masterpiece". [3], After the song was composed, Lloyd Webber and Rice were struggling to find a suitable musical actress for the songs and the titular role, since the only one they knew, Yvonne Elliman, had moved to the United States. "[6] Roger Ebert of the Chicago Sun-Times wrote "For years I have wondered, during 'Don't Cry for Me, Argentina,' why we were not to cry. The truth is. Now I understand: We need not cry because (a) Evita got everything out of life she dreamed of, and (b) Argentina should cry for itself. MADONNA / DON'T CRY FOR ME ARGENTINA Importazione. For the Serú Girán live album, see. And as for fortune. Her full-lipped, precise notes stride across the song's grandiose orchestrations. [51] An emergency meeting was held between Parker, Lloyd Webber and Madonna where it was decided that the singer would record her part in a more contemporary studio while the orchestration would take place somewhere else. Madonna's version reached number one on the European Hot 100 Singles chart and the national charts of the Czech Republic, France, Hungary, and Spain. Marco Bersani . [3], Webber's orchestral accompaniment added a different level to the track, with its composition consisting of pizzicato strings, and its flowing tempo introducing Covington's opening vocals. Don’t cry for me, Argentina / It won’t be easy, you’ll think it strange When I try to explain how I feel / That I still need your love after all that I’ve done Cantava così la bella Eve nel musical Evita (1978) affacciata al balcone della Casa Rosada, nel cuore di Buenos Aires. Madonna herself said she wanted the remix to have a "Latin flavor and elements of Tango music". Paloma San Basilio performed the song when she played the titular role on the Spanish adaptation of the musical in 1980. [99] The performances of both songs in the city were recorded in the live DVD titled, Sticky & Sweet Tour (2010). The SPIN staff dissects one woman's three decades of pop stardom", "The 100 Greatest Pop Songs of 1997: Critic's Picks", "The 100 Greatest Madonna Songs: Critics' Picks", "Ranking All 57 of Madonna's Billboard Hits in Honor of Her 60th(!) Angus Cargill, author of Hang the DJ: An alternative book of music lists was shocked by the complete revamp of the song as punk rock, saying that "there's a dark appeal in here, like the thought of taking a cattle prod to your grandma's". Il brano è una cover dell'omonimo brano di Andrew Lloyd Webber. [64] A very positive review came from the Hartford Courant's Greg Morago, who called the song "a calculated, theatrical triumph of shameless pandering and steely determination that parallels the pop diva's own rise to the top. [58] Writing for the Los Angeles Times, David Gritten opined that "show-stoppers like 'Don't Cry for Me Argentina', which need to be belted out, sound comfortable for her". As "Oh What a Circus" ended with the character Che's sarcastic questioning of the mourning behind Eva's death, "Don't Cry for Me Argentina" started with only few lines being sung, while the rest of the song was reserved for the finale. Ancora non sappiamo quando l'articolo sarà di nuovo disponibile. Don't Cry for Me, Argentina è un brano musicale composto nel 1975 da Andrew Lloyd Webber su testi di Tim Rice per il musical Evita. [155] Also in 1978 Shirley Bassey recorded the song for her album, The Magic Is You. Scelta per interpretare il ruolo principale nel film uscito nel 1996, la popstar ha registrato la colonna sonora integrale del film. L'interpretazione di Paige resta tra le più apprezzate, tanto che l'interprete è stata chiamata in seguito più volte per incidere lo stesso brano, sia in studio che dal vivo, esibendosi anche al concerto per il 50º compleanno di Andrew Lloyd Webber alla Royal Albert Hall. [3] According to the sheet music published by Music Sales Group, the song starts with a sequence of G/D–A7/D–D–Bm/D, changes to E–E/D–A/C♯–E7–A–D, with the chorus featuring a chord progression of A–Bm–Dmaj7–Gmaj7–G–F♯m7. In 1996, American singer Madonna played the title role in the film adaptation of the musical and recorded her rendition of "Don't Cry for Me Argentina". Both were extremely intrigued by the stories surrounding the life of Eva Perón while researching her during the mid-1970s. My mad existence. Don't keep your distance. All through my wild days. The presentation of the musical Evita was repressed. [50], Recording sessions for the film's songs and soundtrack began in September 1995, and took place at the CTS Studios in London with Madonna accompanied by co-actors Antonio Banderas and Jonathan Pryce. Lyrics to 'Don't Cry for Me Argentina' by Sarah Brightman: It won't be easy, you'll think it strange When I try to explain how I feel That I still need your love after all that I've done You won't believe me All you will see is a girl you once knew Edizione del 11.01.2020. They're not. [20][21] Seeing the success of the single, Rice and Lloyd Webber proceeded with promoting the song in the United States. Co-writers of "Don't Cry for Me Argentina", A 30 second sample of Covington's recording of the song, which illustrates the, A 30 second sample from the "Miami Mix" of Madonna's version of the song. Arrangiamento per Pianoforte, Vocale, Testi e SSA. I kept my promise. Testo di Don't Cry For Me Argentina Non Piangere Per Me Argentina Non sarà facile, vi sembrerà strano Che io stia cercando di spiegare cosa provo Che ho ancora bisogno del vostro amore Dopo tutto quel che ho fatto Non mi crederete Vedrete solo la ragazza che conoscevate Sebbene vestita di tutto punto Ma in disaccordo con voi [53] The final version recorded had many similarities to the original version by Covington, although it had a much faster pace and was created as an orchestral pop to cater to the contemporary music scene. La melodia tuttavia appare frequentemente, spesso per pochi istanti, durante lo spettacolo. [72] The Guardian's Jude Rogers wrote: "Sorry Andrew Lloyd Webber, but it's no 'Live to Tell'"; nonetheless, she praised the singer's vocal capacities. [74] A negative review came from NME's Alex Needham, who wrote; "by 1996 Madonna was fast turning into the pop equivalent of Sunset Boulevard's Norma Desmond, croaking, 'I'm still big! Webber's songs allow her all the room she needs to be many things; she succeeds at them all". ", "The Billboard Hot 100: Week of February 22, 1997", "Madonna Chart History (Adult Contemporary)", "Madonna Chart History (Adult Pop Songs)", "Madonna Chart History (Dance Club Songs)", "British single certifications – Madonna – Don't Cry for Me Argentina", Australian-charts.com – Madonna – Don't Cry For Me Argentina", "ARIA Charts – End Of Year Charts – Top 100 Singles 1997", Lescharts.com – Madonna – Don't Cry For Me Argentina", The Irish Charts – Search Results – Don't Cry For Me Argentina", "This fan gets to the bottom of Drowned World Tour's appeal", "Madonna's 'Drowned' Comes To Home Video", "Preview: 'Madonna Sticky and Sweet: Live from Buenos Aires' concert film", "Album: Madonna, Sticky & Sweet Tour (Warner Bros)", "Madonna delayed her show on Argentina due to fever", "Review: Madonna brings a heartfelt, personal touch to her Miami concert", "Madonna Twerks, Vogues and Talks Kissing Michael Jackson in Full Carpool Karaoke (Watch)", Austriancharts.at – Madonna – Don't Cry For Me Argentina", Ultratop.be – Madonna – Don't Cry For Me Argentina", Offiziellecharts.de – Madonna – Don't Cry for Me Argentina", "Íslenski Listinn Topp 40 (23.01.1997 – 29.01.1997)", Dutchcharts.nl – Madonna – Don't Cry For Me Argentina", Charts.nz – Madonna – Don't Cry For Me Argentina", Norwegiancharts.com – Madonna – Don't Cry For Me Argentina", "Official Scottish Singles Sales Chart Top 100", Swedishcharts.com – Madonna – Don't Cry For Me Argentina", Swisscharts.com – Madonna – Don't Cry For Me Argentina", "Madonna Chart History (Dance Singles Sales)", "RPM Top 100 Adult Contemporary Tracks 1997", "1997 Year-End Sales Charts: Eurochart Hot 100 Singles", "Árslistinn 1997 – Íslenski Listinn – 100 Vinsælustu Lögin", "Romanian Top 100 Singles Airplay – Top of the Year 1997", "ARIA Charts – Accreditations – 1997 Singles", Australian Recording Industry Association, "Ultratop − Goud en Platina – singles 1997", "French single certifications – Madonna – Don't Cry for Me Argentina", Syndicat National de l'Édition Phonographique, "Gold-/Platin-Datenbank (Madonna; 'Don't Cry for Me Argentina')", "The Official Swiss Charts and Music Community: Awards (Madonna; 'Don't Cry for Me Argentina')", "Competitive Crunch in a Softer Sound Market", "Album review: Shirley Bassey — The Magic Is You/Thoughts of Love (BGO)", "1940: Birth of talented actress and singer Nacha Guevara", "Platter du Jour: Universal Mother, Sinead O'Connor", "Ultratop.be – Sinead O'Connor – Don't Cry for Me Argentina", "Glee Kids Sing Don't Cry for Me Argentina", "Watch: Nicole Scherzinger Owns 'Don't Cry For Me Argentina, Joseph and the Amazing Technicolor Dreamcoat, The Phantom of the Opera at the Royal Albert Hall, Back to Basics: The Essential Collection 1971–1992, Olivia Newton-John: Hopelessly Devoted to You, https://en.wikipedia.org/w/index.php?title=Don%27t_Cry_for_Me_Argentina&oldid=1004871780, European Hot 100 Singles number-one singles, Song recordings produced by Nigel Wright (record producer), Song recordings produced by Andrew Lloyd Webber, Song recordings produced by David Caddick, Short description is different from Wikidata, Singlechart usages for Belgium (Flanders), Certification Table Entry usages for Netherlands, Pages using certification Table Entry without certification, Certification Table Entry usages for United Kingdom, Pages using certification Table Entry with shipments footnote, Singlechart usages for Canadaadultcontemporary, Singlechart usages for Billboardadultcontemporary, Singlechart usages for Billboardadultpopsongs, Singlechart usages for Billboarddanceclubplay, Certification Table Entry usages for Australia, Pages using certification Table Entry with shipments figures, Certification Table Entry usages for Belgium, Pages using certification Table Entry with sales figures, Certification Table Entry usages for France, Certification Table Entry usages for Germany, Certification Table Entry usages for Switzerland, Pages using certification Table Entry with sales footnote, Wikipedia articles with MusicBrainz release group identifiers, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, David Hamilton-Smith – recording engineer, "Don't Cry for Me Argentina" (Miami Mix Edit) – 4:31, "Don't Cry for Me Argentina" (Miami Spanglish Mix Edit) – 4:29, "Don't Cry for Me Argentina" (Miami Mix) – 6:51, "Don't Cry for Me Argentina" (album version) – 5:31, "Don't Cry for Me Argentina" (Miami Mix Alternative Ending) – 7:59, "Don't Cry for Me Argentina" (Miami Spanglish Mix) – 6:57, "Don't Cry for Me Argentina" (Miami Mix Edit) – 4:29, "Don't Cry for Me Argentina" (Miami Dub Mix) – 6:23, "Don't Cry for Me Argentina" (Miami Mix Instrumental Version) – 6:55, "Don't Cry for Me Argentina" (Miami Spanglish Mix Edit) – 4:28, This page was last edited on 4 February 2021, at 20:41. Dietro le statistiche ci sono volti e storie di sofferenza e di lotta per sopravvivere. [3] As the delivery date of the recording approached, they got more tense since most of the album was put together. [87][88] In Italy, it reached the second position on the Musica e dischi chart. But Radio 1 finally relented and started playing the song due to positive response from audiences. [100] The singer once again performed the song in Argentina during The MDNA Tour in December 2012. [90][94], No official video was shot for the song. Non ti ho mai lasciata. [97] The performance on 26 August 2001, at The Palace of Auburn Hills, outside of Madonna's hometown of Detroit was recorded and released in the live video album, Drowned World Tour 2001. As the final lyrics goes, "But all you have to do is look at me to know / That every word is true" is sung, the London Philharmonic Orchestra comes into play with a huge climax and ends. The truth is. Prime Carrello. They had initially decided for a number of television show appearances and performances, but Covington was uninterested in the project altogether and refused to promote it further. Sung by Madonna, who famously campaigned for the role by sending the director a four page letter about why she should have the role, the song was originally written for a 1976 concept album called Evita, and was later performed as part of a theatre piece of the same name in 1978. Louis Virtel from The Backlot complimented her vocals, saying that the performance "has to be seen to be believed, as Scherzinger’s crystal-clear vocal soars like a glittery javelin". The song had a number of different titles before "Don't Cry for Me Argentina" was chosen as the final one. However, trouble arose as Madonna was not completely comfortable with laying down a "guide vocal" simultaneously with an 84 piece orchestra inside the studio. [89] In Australia, "Don't Cry for Me Argentina" peaked at number 9 on the ARIA Singles Chart, staying on this position for one week and a total of 13 weeks on the chart.
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